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Themed Chinoiserie Garden, Zang’s Spring offerings alternated between flowing and fitted silhouettes that were unmistakeably Oriental, thanks to the intricate designs by de Gournay (a company that specialises in 18th century chinoiserie and 19th century French designs), with touches of European decadence. First on the runway was a sinewy, English yellow strapless gown with hand painted peonies, followed by a kimono coat and matching trousers with similar motifs and colour. This graduated to skirts, jackets, short, trousers, dresses and more gowns in pastel shades of ebony, ivory, cream, pink and red. Nevertheless, it was the clothes that transformed them into otherworldly, ethereal beings.ĭe Gournay hand painted long kimono coat with matching high-waisted seamless trousers. In contrast to the minimalist makeup, each had their hair piled up with ornate hairpieces and turned into gravity-defying buns, reminiscent of those worn by 19th century French courtesans, and dotted with ornamental butterflies. Seated in the front row were Zang’s guests of honour: his mother, dressed in Zang’s signature look for this season – an English yellow qi bao embellished with hand-painted peonies – and his father sporting a matching shirt. As music from the quartet faded, models came gliding out serenely, stepping in tune to lilting, traditional Chinese music. On their faces were soft pastel pinks, greens, yellows and neutrals that gave them a subtle, translucent glow to the skin, and upper lids that were heavily lined. Silk taffeta coat with mink border and pleated petticoats worn over matching floor length gown.
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This time around, journalists, customers, friends and family found themselves in the midst of colourful peonies, and feted with a live string quartet and plenty of bubbly while waiting for the show to begin. The Kelantan-born, New York-based fashion designer appears to be the master of all things chic, and the preview of his Spring 2008 collection that he hosted last week was no exception. In true Zang Toi fashion, his West 57th Street Café at Parkson Pavilion Kuala Lumpur was transformed into a charming spring party setting, bearing strong hints of his penchant for extravagant décor. Zang Toi’s Spring offerings alternated between flowing and fitted silhouettes that were unmistakeably Oriental, thanks to the intricate chinoiserie designs. Nothing embodies the spirit of Zang Toi better than a fashion show disguised as a lavish afternoon tea party.